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Tolkien’s famous 1936 essay, “Beowulf: the Monsters and the Critics” was based on these lectures and published posthumously by his son, Christopher Tolkien. Douglas Wilson’s poetic version of Beowulf is not a literal translation, but a new alliterative version that attempts to preserve the drama and energy of the original poem. Elements of this story are found in Wagner’s opera, “The Ring of the Niebelung” (Der Ring des Nibelungen) and J. See Pre-Christian Epics of Northern Europe for links to resources on Norse (and Irish) Mythology. For the rest of us, look for the translations and check out Neil Gaiman’s new book Norse Mythology for a retelling of the ancient tales by a gifted storyteller. An appealing personal Web site devoted to the famous battle with many pages about events that led up to it and lots of cultural background information. The mother of all ERIC clones is the government-sponsored open access database started in 1966. A citation index covering more than 1,700 titles from the world’s leading arts and humanities journals. Some academic libraries may subscribe to this resource, which no longer has a publicly accessible area. Visit the book’s website for the fascinating backstory and links to buy the book. The Old Norse Volsunga Saga, or Story of the Volsungs, also has a brave hero, Sigurd, who skewers a venom-snorting dragon and gains his cursed gold-hoard. Tolkien’s symbolic “One Ring to Rule Them All,” in the Lord of the Rings cycle, as well as in Beowulf. Covers social sciences, humanities, education, computer science and engineering, general science, humanities, medicine, ethnic studies, and more. Some libraries may have a similar version of this index, such as Academic Search Elite. If you teach Beowulf, search ERIC for articles and research reports. An encyclopedia with signed articles about all aspects of the medieval period. A great way to get an overview of what scholars have said about a particular work over a long period of time, and to get some differing opinions and approaches. Today, ultraviolet light and other technologies used in the Electronic Beowulf reveal erasures, text under the frames, and other characteristics of the manuscript that were previously undetectable. In Beowulf’s northern European culture, violence was not stigmatized as a breakdown in social order but seen as a reasonable way to get things done. North suggests that Beowulf was written in 826-7 by Eanmund, Abbot of Breedon on the Hill in NW Leicestershire, as a requiem to Beornwulf of Mercia by Wiglaf, who ruled after him. The Beowulf manuscript is now a highlighted collection item in the British Library. Meet the cast so you can distinguish between all the names that start with “Hr” or end in “theow” and “gar”. Anthropological and Cultural Approaches to Beowulf. Issue 5, Summer/Autumn of The Heroic Age, a free online journal dedicated to the study of the Northwestern Europe from the Late Roman Empire to the advent of the Norman Empire.” Honour, Exchange and Violence in Beowulf (hardcover ed.
Until quite recently, most scholars thought that this surprisingly complex and poignant poem was written in the 8th century or earlier, but Kevin Kiernan stirred up controversy in 1981 with the publication of Beowulf and the Beowulf Manuscript (rev sub edition 1997) by asserting that the work was composed in the 11th century, and that the manuscript itself may have even been the author’s working copy. Old English Glossary for Beowulf and the Finnesburh Fragment. Jonathan Slocum, University of Texas at Austin, Linguistics Research Center.
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The manuscript was made accessible to all by The Electronic Beowulf Project. A delightful re-telling of the story for children of all ages, with illustrations and notes.
It was once owned by Sir Robert Bruce Cotton, an “antiquary” or collector of Anglo-Saxon Charters and manuscripts. Shmoop organizes many types of information about Beowulf for students and teachers. Read the article to find out which one is more reliable. This bibliography is an important and current resource for Beowulf scholarship. Written by Helen Lynch and designed by Helen Lynch and Susan Dunbar.